My studio practice is inspired by the pre colonial art of my community, Adazi-Ani. Having been exposed to Igbo Art while studying at the University of Nigeria Nsukka, my studio efforts have reflected the forms which I discovered while writing my 1st Degree project on the Art Objects of Adazi-Ani Shrines (1986) and my MFA research, Igbo idea of Monumentality: the Ikoro Example (1990).
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